Evening Program, Eve of Sahasrara Puja after Nirvikalpa talk Laxenburg (Austria)
Evening Program, Eve of Sahasrara Puja after Nirvikalpa talk Do you know the meaning of this one? We have the translation. Oh, I see. But the one thing is there now, you see. It has to be rhythmic, otherwise, if it is not proper rhyme and also, in a proper rhythm, as you say “taal”. Any music, say it’s English, it’s western, whatever it is. It has to have that link. In the western music, whatever was composed they used to us beats i think, in the older times. But in the modern times there are no beats. There is no mariadas, nothing. So, in our Sahaja Yoga songs you all must have mariadas, you cannot just sing something without any beat. You must definitely have beats. If it is a 4-beat sound or it’s a, I don’t know how many beats you have, but we have a least 28 also. I mean, ours is over complicated. But doesn’t matter, you need not do that, 28 is too much. But up to 16 is simple. So, it must be in beats first of all, and the tune should be as such, that it should form a melody. That’s important. Because any tune anywhere, going anywhere, moving anywhere. You see, this kind of composition takes your mind from this to that, to that, to that. But if it’s a melody so you come back again on the Sam. On the same point, again, on the same theme, you see. When you Read More …
